As psychoanalysis becomes more and more important to literary studies and the accompanying literature bulks larger and larger, students often feel overwhelmed, not knowing where to turn for readings that will open up the subject. Holland's Guide to Psychoanalytic Psychology and Literature-and-Psychology offers an ingenious solution to this problem. It provides concise outlines of all types of psychoanalytic theory and shows how they apply to literary criticism. The outlines point in turn to further, more specific readings--articles, essays, and books--which (...) can then be located by two extensive bibliographies that follow the discussion. These offer materials that range from the earliest Freud to the latest cognitive science and include dozens of bibliographic aids. Holland integrates these suggested readings with lively, detailed comments on various psychologies as they relate to literature. He is thus able to guide students easily to the precise subject they wish to study, be it Jungian criticism, ego psychology, feminist psychoanalysis, psychoanalytic film theory, or interpretation of some specific text. Holland also offers a bracing discussion of reader-response criticism and a lucid guide to the work of Jacques Lacan. A trenchant epilogue defends the psychological approach, suggesting which points in psychoanalytic theory will work for literary critics, and which will not. The only such guidebook for students of psychoanalytic literary theory and literary criticism, Holland's Guide will also prove an invaluable aid for those studying psychoanalysis and psychology. (shrink)

I propose this: Ellen [a graduate student] laughs because she is re-creating her identity. This theory differs from the others because "identity" is not simply a category that is filled or not, like "incongruity" or "superiority" which become variables in an "if this, then that" explanation. "If there is a sudden incongruity, people will laugh." Rather, identity is a further question, a way of asking, Can I understand Ellen's actions as a theme and variations? Moreover, any such interpretation is itself (...) a part of the interpreter's actions, hence a function of his - in this case, my - identity. The principle is general, but putting it into practice in each instance is unique. Unlike an "if this, then that" which leads to closure, an explanation through identity leads to a continuing dialogue. One asks questions of an individual situation, like Ellen's laughing at [B.] Kliban's cartoons. One gets answers that lead to a fuller understanding of that situation. The answers can be generalized into questions, leading to more and closer questioning and more answers that lead to more questions, all within the general principle of identity re-creation as embodied in the unique situation.Norman N. Holland is the James H. McNulty Professor of English at the State University of New York at Buffalo. He has written a book on the theory of laughter presented in the present essay. His previous contributions to Critical Inquiry are "Literary Interpretation and Three Phases of Psychoanalysis" and "Human Identity". (shrink)

Film theorists talk enthusiastically these days in terms of semiotics, sutures, and systems of meaning. I think we can usefully frame these theories by some evidence as to how some actual readers make actual theories from an actual film. To that end, I would like to explore here what three people, Agnes, Norm, and Ted, said about The Story of O. It seems to me that if any film should demonstrate the fixity of semiotic and other codes, surely a pornographic (...) film should.You might call this essay, then, the story of this I storying three other I’s storying The Story of O.1 “Storying” is Audrey Grant’s verb, and by it she intends the representing of an event in your own mind and telling somebody about it.2In this essay, then, I propose to tell you how I represent in my mind how these three individuals represented in their minds The Story of O.Sometimes we felt or thought about the film more or less alike, and sometimes we squarely contradicted one another. I want to ask two questions of these responses. First, how can we relate their variety to the singleness of the film? Second, how can we relate their variety to the generality of any codes that govern the seeing of films? Norman N. Holland is Milbauer Eminent Scholar at the University of Florida. His most recent book, The I , develops a widely useful model for thinking about humans’ perceiving, interpreting, reading, and generally I-ing. His most recent contribution to Critical Inquiry is “Interactive Fiction” in the September 1984 issue. (shrink)

Holistic reasoning brings out the sustained and sustaining integrity of a system, be it a person, a poem, a neighborhood, a corporation, a culture, a crime to be solved by Sherlock Holmes, or an act of dreaming. Identity theory thus extends Freud's method of dream interpretation, explicating free associations, to the whole life of a person. We can talk rigorously about unique individuals. Yet that very talking is a human act, part of someone's identity, Freud's or mine. One has to (...) distinguish between "primary identity," the hypothesis of a persistent sameness established "in" a person in infancy, and "identity theme," a second person's hypothesis for searching out a persistent style in what the first has done. In a strict sense, I can never know your "primary identity," for it is deeply and unconsciously inside you. Formed before speech, it can never be put into words. It is entirely possible, however, for me to formulate a constancy in your personal style—from outside you but through empathy. Any such formulation of an "identity theme" will, of course, be a function both of the you I see and of my way of seeing—my identity as well as yours. Another reason one can never know a "primary identity" is, then, that it is inextricable from one's own primary identity—if there is such a thing. But there are definitely identity themes because I can formulate them. Norman N. Holland is professor of English and director of the Center for the Psychological Study of the Arts at the State University of New York at Buffalo. Two of his books, Poems in Persons and Five Readers Reading , apply the concept of identity here developed to literary response. His contributions to Critical Inquiry are "Literary Interpretation and Three Phases of Psychoanalysis" and "Why Ellen Laughed". (shrink)

Let me start with my general thesis: that psychoanalysis has gone through three phases. It has been a psychology first of the unconscious, second as psychology of the ego, and today, I believe, a psychology of the self. . . . To a surprising extent, the modern American literary critic has sought the same impersonal, generalized kind of quasi-scientific knowledge. We anglophones reacted against the over-indulgence in subjectivity by Victorian and Georgian critics. We also reacted against the uncritical use of (...) extraliterary knowledge, connections that were often aimless and unconvincing between literary works and their authors' autobiographies or literary periods. We sought instead an analytical rigor, at first by searching out the organic unity of particular literary works, then by extending the methods of close reading we developed that way to the total works of an author, to myths and popular arts, to the language of everyday life, and even to such artifices as Volkswagens, supermarkets, and political candidates. Norman N. Holland is professor of English and director of the Center for the Psychological Study of the Arts at the State University of New York at Buffalo. He is the author of six books, of which Psychoanalysis and Shakespeare , The Dynamics of Literary Response , Poems in Persons , and Five Readers Reading deal directly with problems of psychological criticism. His contributions to Critical Inquiry are "Human Identity" and "Why Ellen Laughed". (shrink)

The structure of traditional fiction is essentially linear or serial. No matter how complex a given work may be, it presents information to its reader successively, one element at a time, in a sequence determined by its author. By contrast, interactive fiction is parallel in structure or, more accurately, dendritic or tree-shaped. Not one, but several possible courses of action are open to the reader. Further, which one actually happens depends largely, though not exclusively, upon the reader’s own choices. To (...) be sure, the author is still in overall control, since it is she who has set up the particular nexus of events, but the route up the narrative tree, the actual sequence of events, is generally affected, if not completely determined, by the reader’s responses to that particular reader’s specific situation. In an adventure, the sequence of action frequently depends upon the reader’s decision to go in one geographical direction rather than another. In the eliza sample, the content of the “story” depends on such particulars as whether this reader has a brother or not, whether she fears her father, and why she has consulted the terminal. In general, the text presented to the eliza-reader depends on what that reader has already said and how the computer has interpreted and stored it, and this is generally true of interactive fiction.Further, interactive fiction is, in principle , open-ended—infinite. A conversation with eliza could go on for as long as one with Woody Allen’s psychoanalyst—in principle, forever. It has no necessary terminus. The program will go one writing texts and answers on the screen as long as the reader or player chooses to supply responses. Further, the computer can act as a metafictional narrator like John Barth or Thomas Pynchon who can create a story within a story or a story that generates another story within itself which generates another story within itself and so on, fictions dizzying and dazzling. One senses one’s essential humanity wobbling in the midst of the infinite paradoxes of existence and meaning. Anthony J. Niesz, assistant professor of German at Yale University, is the author of Dramaturgy in German Drama: From Gryphius to Goethe . He is interested in the phenomenon of the meta-theater, especially in seventeenth- and eighteenth-century German drama, as well as in the literature and cultural policies of the German Democratic Republic. Norman N. Holland is Milbauer Eminent Scholar at the University of Florida. He is the author of Laughing and The I. (shrink)

Elaborating decolonial and intersectional methods, aesthetics has developed rich tools for tackling power differences. A philosophical question arises about the nature of gendered embodied experience and materiality: How to comprehend the cultural field if it is at once a site of heinous expropriation and violence and one of vital social and political possibility? This essay explores this question through a reading of Claudia Llosa's film The Milk of Sorrow ( La teta asustada ) (2009). The film, we show, reworks racial, (...) gendered, and colonial logics and supplants a model of transculturation, magical realism, and syncretism and its attendant figuration of resistance by a cultural vision of a web of multivalent, pluri-directional aesthetic promises and threats. Thus it presents a young Indigenous woman as a contemporary decolonial actor who, in encounter with popular culture and the global marketplace, renders memory livable and opens up unforeseen futures for her young town and country. We signal the implications for the positioning of the decolonial feminist spectator or culture maker and for a decolonial aesthetics. Aesthetic existence at the intersection of oppression and liberation, although impure and troubled, functions as a bountiful font of feminist energy and sustenance and a site of communal caring and imagination. (shrink)

It has come to be expected that collections issued by the Royal Institute of Philosophy will contain work that has quality or is otherwise interesting. This volume runs true to form and presents plenty of both. It gives the proceedings of the conference arranged by the Institute at Exeter in 1973, consisting of five symposia together with Chairman's remarks of about eight pages or so for each symposium, and in three cases postscripts by the first speaker. The contributors and topics (...) are: R. F. Dearden and Elizabeth Telfer on ‘Autonomy as an Educational Ideal’ with R. M. Hare as Chairman; R. K. Elliott and Glenn Langford on ‘Education and the Development of the Understanding’ with Paul Hirst as Chairman; David Cooper and Timothy O'Hagan on ‘Quality and Equality in Education’ with R. F. Atkinson as Chairman; Mary Warnock and Richard Norman on ‘The Neutral Teacher’ with Alan Montefiore as Chairman; Stuart Brown and A. Phillips Griffiths on ‘Academic Freedom’ with R. S. Peters as Chairman. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Objective Reality of Ideas in Descartes, Caterus, and Su irez NORMAN j. WELLS IT HAS LONG BEEN ACKNOWLEDGEDthat Francisco Sufirez's distinction between a formal and an objective concept exercised some influence upon Descartes's teaching on 'idea'.' It would appear, however, that not enough attention has been given to that distinction of Sufirez (and especially to another to be mentioned shordy) to aid in dispelling what I take to (...) be a widespread confusion and misunderstanding with regard to 'idea' in Descartes, especially with respect to 'idea' taken 'objectively'. Much, if not all, of the confusion in question has to do with Descartes's admittedly equivocal use of the term 'idea'. For he had allowed that 'idea' could be taken 'materially' (materialiter), on the one hand, for the knowing activity of the intellect. On the other hand, it could be taken 'objectively' (objective) for the thing (res) represented by that knowing activity.' At this point, the contemporary reader can only be brought up short, See E. Gilson, Index scolastico-cart~sien (New York: Burt Franklin Reprint, 1912), 48-49; Discours de la m~thode: Texte et commentazre (Paris: J. Vrin, 1947), 321; G. Rodis-Lewisin her edition of Meditationes de Prima PhRosoph.m (Paris: J. Vrin, 1953), 41 n. 1; L'oeuure de Descartes (Paris: J. Vrin, 1971), 53~ n. 8; J. Collins, Modern European Philosophy (Milwaukee: Bruce, 1954), 165;T.J. Cronin, S.J., Objecttve Being m Descartes and SuArez (Rome: Gregorian University Press, 1966); "Objective Reality of Ideas in Human Thought: Descartes and Su~rez," Wisdom in Depth: Essays in Honor of Henri Renard, SJ., eds. V. F. Daues, S.J., M. R. Holloway, S.J., L. Sweeney, S.J. (Milwaukee : Bruce, 1966), 68-79; L. Gilen, S.J., "Uber die Beziehungen Descartes zur zeitgenossischen Scholastik," Scholastik 32 (1957): 41-66; R. Dalbiez, "Les sources scolastiques de la th~orie cart6sienne de l'&re objectif," Revue d'histoire de la philosophic 3 (1929): 464-72;J. Owens, C.S.S.R., in The Cambridge HtstoU of Later Medu,val Philosophy, eds. N. Kretzmann, A. Kenny, J. Pinborg (Cambridge University Press, 1982), 459; G. Nuchelmans,Judgment and Propositwnfrom Descartesto Kant (Amsterdam: North Holland Publishing Co., 1983), 36-54. " Oeuvres de Descartes, ed. C. Adam et P. Tannery, 11 vols. (Paris: J. Vrin, 1897-19o9; hereafter cited according to volume, page and line), Praefatio ad Lectorem, 7: 8. 19-251 "Sed respondeo hic subesse aequivocationem in voce ideae: sumi enim potest vel materialiter, pro operatione intellectus, quo sensu me perfectior dici nequit, vel objective, pro re per istam operationem repraesentata, quae res, etsi non supponatur extra intellectum existere, potest tamen me esse perfectior ratione suae essentiae." It is clear that two realities are to be causally accounted for. The [33] 34 JOURNAL OF THE HISTORY OF PHILOSOPHY 28"1 JANUARY 1990 conditioned as we are by an appreciation of 'objectivity' altogether extramental! It makes for a considerable wrench of perspective to do justice to Descartes's acknowledged doctrine of intramental objectivity and an intramental 'thing represented' (resrepraesentata). 'Idea', then, in traditional Cartesian fashion, designates the act of representing as well as the 'thing represented '. S Yet, for all this, and despite repeated expressions of the same doctrine, there is a persistent tendency in the history of Cartesianism and its scholarship to interpret 'idea' taken 'objectively' as in some way representative. Contrary to what I take to be Descartes's constant position, such a rendering unwittingly transfers that function which is proper to the cognitive activity, mind is the efficient cause of its cognitive activity. With respect to ideas taken 'objectively', such as the ideas of God and the triangle on the levels of metaphysical and mathematical intelligibility, an efficient cause, extrinsic to the mind, is certainly at issue. For here we are in the presence of what is independent of the mind, however intramental it may be. On the triangle, see Medit. 5; 7: 64. ]4s7 : "...est tamen profecto determinata quaedam ejus natura, sire essentia, sive forma, immutabUis et aeterna, quae a me non efficta est, nec a mente mea dependet." For the idea of God, see Medit. 5; 7: 68. l o-12: "Nam sane multis modis inteUigo illam [ideam... (shrink)

Reprint of the original, first published in 1919.

En 1983, Cedric J. Robinson introduit sous le titre d’une « tradition radicale noire », l’idée d’une généalogie spécifiquement africaine de la lutte contre l’esclavagisme, le capitalisme et l’impérialisme, distincte du marxisme européen. La pensée « afropessimiste»s’inspire d’Hortense Spillers pour mesurer les conséquences de la soustraction des Noirs aux ordres de l’humanité et de la subjectivité politique, en une violence qui convertit les vies africaines en chair. Le poète et théoricien africain américain Fred Moten revisite aujourd’hui ces pensées en inventant (...) un « optimisme noir », qui entend faire valoir l’ambivalence et l’ambiguïté de la noirceur, soulignant ses potentialités particulières et désignant dans « la chair » une possibilité de formuler de nouvelles formes de vie. (shrink)

In 1956 Jacques Lacan proposed as interpretation of Edgar Allan Poe's "Purloined Letter" that at once challenged literary theorists and revealed a radically new conception of psychoanalysis. Lacan's far-reaching claims about language and truth provoked a vigorous critique by Jacques Derrida, whose essay in turn has spawned further responses from Barbara Johnson, Jane Gallop, Irene Harvey, Norman Holland, and others. The Purloined Poe brings Poe's story together with these readings to provide, in the words of the editors, "a (...) structured exercuse in the elaboration of textual interpretation. The Purloined Poe reprints the full text of Poe's story, followed by Lacan's "Seminar on 'The Purloined Letter,'" along with extensive commentary by the editors. Marie Bonaparte's and Shoshana Felman's discussions of traditional and contemporary approaches to "psychoanalysing" texts precede Alan Bass's new translation of Derrida's "Purveyor of Truth." The subsequent essays join the Lacan-Derrida debate and offer alternative readings by literary theorists, philosophers, psychologists, and psychoanalysts. The Purloined Poe convenes much of the most important current scholarship on "The Purloined Letter" and presents a rich sampling of poststructuralist discourse. (shrink)

An examination is offered of the claim that the possibility of religious belief is related to the possibility of lusus naturae, in the special sense of that phrase which many philosophers have adopted, in terms of its implications for the notion of the limits of intelligibility. The exposition includes a critical assessment of arguments offered by Peter Winch, R. F. Holland, Norman Malcolm, and H. O. Mounce.

Journal of the Pali Text Society, Volume XXV. Ed. by O. von Hinuber & R. F. Gombrich. Oxford 1999. £17.25. ISBN 0 86013 372 9.

Thomas Hobbes posited a social contract which legitimates sovereign authority. But what grounds, or could ground, such a contract? Through reflection on Oakeshott, and on Aristotle's Nichomachean Ethics, the paper argues for a so far unrecognised mode of human association: philic association. It briefly considers a possible expression of philic association in the history of English law, before making the case for programmes of mentoring as a policy both reflective and supportive of this mode. It ends by suggesting that the (...) existence of such a mode shows why Hobbes's social contract theory, however ingenious and influential it has proven to be, is neither sufficient nor necessary for its stated purpose. (shrink)

The projective plane of Baldwin 695) is model complete in a language with additional constant symbols. The infinite rank bicolored field of Poizat 1339) is not model complete. The finite rank bicolored fields of Baldwin and Holland 371; Notre Dame J. Formal Logic , to appear) are model complete. More generally, the finite rank expansions of a strongly minimal set obtained by adding a ‘random’ unary predicate are almost strongly minimal and model complete provided the strongly minimal set is (...) ‘well-behaved’ and admits ‘exactly rank k formulas’. The last notion is a geometric condition on strongly minimal sets formalized in this paper. (shrink)

This paper shows how different axiomatic and constructive approaches within quantum field theory can be understood in terms of the so-called ,picture theory' of Heinrich Hertz. Each approach will count as a different picture due to the different status of the various concepts (symbols) they are employing, like observables, gauge invariance, confinement or the space-time continuum. An important difference with the original Hertzian approach is the fact that the different approaches in quantum field theory have partially overlapping, partially supplementing domains (...) of application. This also marks some of the parallels and differences with contemporary debates on structural realism and model-theoretic approaches in the philosophy of physics. The objection that the talk about different pictures just relies on the fact that quantum field theory is unfinished will be countered. Finally, the Hertzian approach will be briefly elaborated and embedded into its philosophical successor projects of Cassirer and Goodman. German Dieser Aufsatz zeigt, wie verschiedene axiomatische und konstruktive Ansätze in der Quantenfeldtheorie mit Hilfe der sogenannten ,,Bildtheorie“ von Heinrich Hertz verstanden werden können. Aufgrund der unterschiedlichen Stellungen der verschiedenen Konzepte (Symbole), die diese Ansätze benutzen - wie etwa Observable, Eichinvarianz, Confinement oder Raum-Zeit-Kontinuum - wird jeder als ein eigenes Bild zu betrachten sein. Ein wichtiger Unterschied zu Hertz' ursprünglicher Fassung der Bildtheorie sind dabei die unterschiedlichen Anwendungsbereiche der Ansätze in der Quantenfeldtheorie. Diese überschneiden sich zum Teil, zum Teil ergänzen sie einander. Dadurch ergeben sich für die bildtheoretische Interpretation wichtige Parallelen und Unterschiede zu anderen Positionen in der Philosophie der Physik, insbesondere zum Strukturrealismus und zur Modell-Theorie. Neben diesen diskutiere ich den Einwand, dass die Redeweise von verschiedenen Bildern in der Quantenfeldtheorie nur deshalb möglich sei, weil die Theorie noch nicht abgeschlossen ist. Schließlich erweitere ich die Hertzsche Bildtheorie und setze sie dabei in Beziehung zu ihren philosophischen Nachfolgeprojekten bei Cassirer und Goodman. (shrink)

Nursing ethics centres on how nurses ought to respond to the moral situations that arise in their professional contexts. Nursing ethicists invoke normative approaches from moral philosophy. Specifically, it is increasingly common for nursing ethicists to apply virtue ethics to moral problems encountered by nurses. The point of this article is to argue for scepticism about this approach. First, the research question is motivated by showing that requirements on nurses such as to be kind, do not suffice to establish virtue (...) ethics in nursing because normative rivals (such as utilitarians) can say as much; and the teleology distinctive of virtue ethics does not transpose to a professional context, such as nursing. Next, scepticism is argued for by responding to various attempts to secure a role for virtue ethics in nursing. The upshot is that virtue ethics is best left where it belongs – in personal moral life, not professional ethics – and nursing ethics is best done by taking other approaches. (shrink)

One important problem in cognitive science is to understand the development of cognitive processes in children and to devise computer models to explore the mechanisms that underlie these changes. Our research addresses these general goals. In particular, we are concerned with developmental changes in cognitive strategies in typical children and in children with mild mental retardation.

An examination of the relationship between philosophical and economic thought in the nineteenth century, Economy and Self explores how the free enterprise theory of Classical Economy influenced and was in turn influenced by the philosophical notion of alienation common in the writings of the age.

Preface, by N. Foerster.--The pretensions of science, by L. T. More.--Humanism: an essay at definition, by I. Babbitt.--The humility of common sense, by P. E. More.--The pride of modernity, by G. R. Elliott.--Religion without humanism, by T. S. Eliot.--The plight of our arts, by F. J. Mather, Jr.--The dilemma of modern tragedy, by A. R. Thompson.--An American tragedy, by R. Shafer.--Pandora's box in American fiction, by H. H. Clark.--Dionysus in dismay, by S. P. Chase.--Our critical spokesmen, by G. B. Munson.--Behaviour (...) and continuity, by B. Bandler, II.--The well of discipline, by S. B. Gass.--Courage and education, by R. L. Brown.--A list of books (p. 291-294). (shrink)

Dienes & Perner make three mistakes in their account of the “natural language meaning” of implicit-explicit knowledge: They fail to take the multiplicity of use of a concept seriously enough, they arbitrarily separate use of a concept and its conceptual structure, and they tend to tailor their analysis for use by the Representational Theory of Knowledge.

ABSTRACT Because of the existence of severely defective humans it is commonly held that whatever consideration is due to all humans is also due to many other animals, and that therefore speciesism, or the readiness to prefer the interest of humans to those of other animals, is unjustified. After criticism of this reasoning a ‘naturalised’ speciesism, acknowledging, for example, the affinities between species, is articulated and defended. A key to this defence is the separation of the task of specifying morally (...) significant differences between humans and other animals from the task of justifying the extension of consideration to defective humans. The conclusion is that more traditional vices than speciesism are chiefly to blame for the shabby treatment of animals by humans. (shrink)

A remarkable feature of contemporary political discourse is the dominance of morality. One legacy of logical positivism and analytical philosophy was the reluctance of political theorists during the twentieth century to engage in substantive argument about appropriate social ends or individual rights and values. Philosophers were content to describe the linguistic framework within which related political proposals were discussed without offering any proposals themselves. It was felt that the philosopher was not especially qualified to give political advice or make any (...) recommendations. The technical political theorist was properly confined to the second level of inquiry, that is, explanation of the meaning of concepts, not the first level, which was concerned with questions of how we ought to live, or issues of public policy. Economists and sociologists might have the technical skills appropriate for inquiries into public policy, but as to the big questions—such as the ends and purposes of man and society—almost anybody could make pronouncements. The important point was that reason was incapable of adjudicating between rival versions of the good life. (shrink)